David Bowie: Live In New York

In October 2002, David Bowie performed the New York City Marathon Tour. Five different nights in five different venues in each of New York’s five boroughs. It was a tribute to New York, and a tribute to his fans. For the first time in over fifteen years, he let a photographer follow him on tour, capturing a David Bowie we've never seen before.

About the Marathon Tour, Bowie...moreIn October 2002, David Bowie performed the New York City Marathon Tour. Five different nights in five different venues in each of New York’s five boroughs. It was a tribute to New York, and a tribute to his fans. For the first time in over fifteen years, he let a photographer follow him on tour, capturing a David Bowie we've never seen before.

About the Marathon Tour, Bowie writes, “The last time I came through the Northeast it was on the Area 2 Tour. We played in amphitheaters, which are usually a good distance from the major cities. Marathon courses are strategically planned to bring the runners to the streets. I would like to repay the fans that traveled so far to see me by bringing my show to them. But most importantly, I could get home from all the gigs on roller skates.”

David Bowie: Live in New York is an intimate portrait of one of rock and roll's most exciting events of the decade.

David Bowie & Arcade Fire Live at Fashion Rocks [Download]

One from the archives this. To celebrate the release of undoubtedly one of the best albums of the year – Neon Bible by Arcade Fire [review] we’ve dug out this fantastic performance from Fashion Rocks 2005. Arcade Fire and Mr David Bowie on the same stage. Fantastic stuff.

David Bowie Retrospective at MAD in NYC

 

I recently took time to see the David Bowie: Artist exhibit at the Museum of Arts and Design (MAD) while in New York City on Thursday. The retrospective features several videos spanning Bowie’s entire career, live shows, his acting prowess and a look at his artistic roots and influences. The museum also screened a documentary on the singer/producer and offered younger fans a chance to catch him in “The Man Who Fell to Earth,” Bowie’s first starring role.

While at the sixth-floor exhibit, there were fans of all ages paying homage to one of the 20th century’s most dynamic and diverse artistic talents. While the early 80s videos brought back some memories, it was good to see his videos from the 1990s which were rarely seen in the U.S. Still, when looking back at Bowie’s early work, his pioneering video effects that may seem primitive to the digital age producers of today actually brought to life the idea of adding visual artistry to the music video — a strategy quickly adapted by select producers in the US and UK and eventually led to the golden age of music videos.

Overall, the exhibit is both enjoyable and intriguing as it gives the viewer a real look into Bowie’s full history and background as an artist and showcases his talents in everything from cabaret to painting to mime to cool suits.

The David Bowie: Artist exhibit will be at the Museum or Arts and Design (2 Columbus Circle, NYC) through July 15th. Information on the event and admission can be found on the MAD website.
 

DAVID BOWIE: Artist in Review

Aside from being the devoted husband of beautiful Somalian model, Iman, for 19 years, 64 year-old David Bowie is best known for his adaptability. A musician, actor, arranger, songwriter, and most notably, a pioneer of the glam-rock era during the ‘70s, Bowie constant creative reinvention across a range of musical styles (pop, funk, metal, industrial, blue-eyed soul) and platforms have strengthened his voice over the years as a supreme advocate for artistic freedom.
Enter the Museum of Art and Design, which recently launched a retrospective exhibition, appropriately titled, David Bowie, Artist, to highlight Bowie’s genuine artistry while journeying through the most innovative transitions of his career.

David Bowie Movie Review

 DJ and I decided it would be fun to let Lily start watching movies/TV shows we watched as kids and loved.

We've done a few like Annie and Saved by the Bell, but during the recent Snowmageddon (that was my favorite phrase from the event) we decided to try the movie Labyrinth. DJ and I both loved that movie, it came out when we were 10 years old.



We all cuddled up on the couch with popcorn in hand and began our adventure into the Labyrinth. (Addy was asleep in 15 minutes, which we were fine with.)



Lily liked it. She caught on, liked the characters and was glad to know the man with big hair wasn't really going to hurt the baby. She also liked the music. (SEE, everyone loves 80's music.)



I was glad the movie didn't scare her or give her nightmares. I, on the other hand, was a little disturbed at the sight of...



David Bowie's pants. Who thought those pants were a good idea? These people created pretty amazing costumes, characters, masks, and animation for a movie from the mid-80's, but nobody had the guts to stand up and say "dude, those pants are disgusting!" or "hey Dave, I think you need a longer coat!"

Merry Christmas Mr Lawrence Blu Ray Review

Release date (UK DVD) – 24^th October 2011
Certificate (UK) – 15
Country – UK/Japan
Director – Nagisa Ôshima
Runtime – 179 minutes
Starring – David Bowie, Tom Conti and Ryûichi Sakamoto

First released in 1983 Optimum Releasing are releasing a UK Blu-ray of Merry Christmas Mr Lawrence that preserves the film’s original aspect ratio of 1:85:1. Nagisa Oshima’s film is perhaps one of the most unusual and touching prisoner of war drama’s ever released, the film’s unique charm helped enormously by the rather brilliant casting of David Bowie and Ryuichi Sakamoto in lead roles. Bowie was one of the (if not the biggest) names in Western music at the time and the same could be said for Sakamoto in the East. The film follows the course of four men within a Japanese prisoner of war camp during World War 2, Lieutenant  Lawrence (Tom Conti) his unusual relationship with a harsh but humane prison guard (“Beat” Takeshi) and the upheaval which occurs when the rebellious, charismatic and haunted Major Jack Celliers arrives in the camp and locks horns with Captain Yonoi (Sakamoto) the camp commander who grows obsessed with him.

In lesser hands this could have have become something trite, like an oriental war prison version of One Flew Over The Cuckoo’s Nest, but as Oshima based it on a real life prisoner of war’s memoir The Seed And The Sower it has a power, a reality and a humanity to it. Deliciously weighty it deals with the personal, cultural and sexual conflicts of men at war with themselves and each other. Themes of obsession, friendship, honor, loyalty and identity are present and for the most part, it examines them in an interesting and constantly thought provoking way.

The cast are more than up to the task. Bowie a space oddity at the best of times, owning the screen anytime he appears on it, whether it’s fixing his strange blue/brown eyes on Yonoi (to Yonoi’s discomfort) or merrily chewing up flowers like some sort of strange Cool Hand Luke in the orient. He’s a strange choice for the role, and yet at the same time perfect, embodying that stiff British upper lip and turning it to defiant rebellion. Sakamoto doesn’t have the same sort of magnetism, but  like the audience he falls under Bowies spell and for his first big role, Sakamoto does well. Tom Conti’s role is not as flashy as Bowies but he centers the whole film with a constant air of wry bemusement, and it’s possible one of his greatest roles. In fact his relationship with Takeshi is the heart of the film, the axis on which everything else pivots. “Beat” Takeshi is now a familiar foreign film star known for his idiosyncratic films and simmering intensity, and he remains unforgettable in what was his first dramatic role. At the time the film was released in Asia he was better known as a TV host and stand up comedian, and many audiences in fact refused to accept him in a dramatic role, often laughing when he came onscreen, but there’s nothing laughable about the grace and simplicity of his performance.

The films soundtrack was also composed by Sakamoto and like everything else about the film, is as enchanting as it is off of center. The theme tune is a thing of beauty, as memorable as any of that of John Williams, and helps tie up the films culture clash thematics in one indelible melody.

The flashback to Bowie’s past, while touchingly preformed, simply doesn’t work that well as you can’t accept the adult Bowie as an 18 year old schoolboy, especially not in the old fashioned public school uniform and the film veers a bit too far into melodrama at times (especially at the end) but it’s to be commended for tackling such difficult themes and for taking a very unusual, and grounded look at what it’s like to be a prisoner of war. A haunting, haunted and memorable film.

The Blu-ray also has some great special features including an except from a documentary on Takeshi’s career, an interview with Sakamoto and The Oshima Gang which is a fun vintage making of segement on the film.

Merry Christmas Mr Lawrence is out on Double Play on October 24th – order it here

'Lost' David Bowie live footage to be broadcast on BBC 2 tonight (December 21)

 

Photo: PA

Rare footage of David Bowie performing on Top Of The Pops is to be broadcast on BBC 2 tonight (December 21).

The footage, which sees the singer play 'The Jean Genie', had been lost until last week, when retired TV cameraman John Henshall came forward with a copy of the performance. It was previously believed that every copy of the UK Number 2 hit had been destroyed.

The four-minute clip will now be included in tonight's Top Of The Pops Christmas Special at 7.30pm (GMT).

Executive producer of Top Of The Pops 2 Mark Cooper told BBC News:

Bowie singing 'The Jean Genie' is electric and the kind of piece of archive that not only brings back how brilliant Top Of The Pops could be, but also how a piece of archive can speak to us down the years.

Earlier this year Bowie's biographer Paul Trynka said it would take a "miracle" for the singer to return to the stage.

Bowie has not released a new album since 2003's 'Reality' and not played live since 2006, when he sang onstage with Alicia Keys in New York City. He has given no indication he is likely to tour again.

Meanwhile, NME's sister title Uncut has launched a new iPad app which allows you to take a look back on the history of the iconic singer.

'David Bowie: The Ultimate Music Guide' gives an overview of The Thin White Duke's five-decade long career with rare interviews taken from the archives of NME and Melody Maker, as well as newly-commissioned reviews of each of the singer's studio albums.

The package costs £2.99 and is available from iTunes. A lite version of the app, which can be downloaded for free, is also available from iTunes.

Scroll down and click below to watch a video detailing David Bowie's various looks from down the years.

David Bowie denies granting permission for his songs to be used in 'Heroes: The Musical'

Photo: PA

David Bowie has denied that he has given permission for his songs to be used in a new musical.

It was widely reported yesterday (November 27) that the singer had agreed to allow his songs to be used for a futuristic fantasy about his life called 'Heroes: The Musical', which was reported to be getting its world premiere next March at London's IndigO2 venue.

But, according to Bowie's official spokesman, this is incorrect and neither the singer nor his management are in negotiation for his songs to be used in a musical.

The statement reads: "Neither the David Bowie Organisation, nor its co-publishers EMI Music and Chrysalis, has issued a license for this performance at the O2. There are no negotiations pending for a long running musical featuring the music of Mr. Bowie".

Deep Singh, who has written 'Heroes: The Musical', said yesterday that the production had been granted permission from the singer, but this appears to have been incorrect.

Bowie last released a studio album in 2003 with 'Reality' and is widely thought to have "retired" from making music.

Meanwhile, NME's sister title Uncut have launched a new iPad app which allows you to take a look back on the history of the iconic singer.

'David Bowie: The Ultimate Music Guide' gives an overview of The Thin White Duke's five-decade long career with rare interviews taken from the archives of NME and Melody Maker, as well as newly-commissioned reviews of each of the singer's studio albums.

The package costs £2.99 and is available from iTunes. A lite version of the app, which can be downloaded for free, is also available from iTunes.

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David Bowie Releasing Limited ‘Starman’ Picture Disc on Record Store Day

 

David Bowie will release a special, very limited picture disc vinyl on Record Store Day (Saturday, April 21).
Consisting of Bowie’s 1972 single Starman, the vinyl is notable for its inclusion of his performance of the song on Top of the Pops. As his site details, this will be the first time the performance has been released on vinyl officially.
The artwork for the release remains unclear at this point, but it might end up mimicking the original single art pictured above.
Again, this release defines “limited edition” – as the site cautions,

These discs are pressed to pre-ordered quantities, so if you don’t register your interest in advance with a participating store, you’re likely to miss out…

David Bowie’s ‘Starman’ Picture Disc to Drop On Record Store Day

Jack Kay, Getty Images

A vinyl re-issue of David Bowie’s 1972 single ‘Starman’ will get the special treatment on Record Store Day (Apr. 21) when it’s re-released as a limited-edition picture disc.

Record Store Day started five years ago when 700+ American indie stores came together to celebrate their unique culture. The U.K. followed suit, with 2012 marking its fourth celebration as an independent sector. Similar to the U.S., the U.K. indie stores partner with bands to celebrate the art of music with special exclusive releases that are desirable to own and fun to collect.

The original photo sleeve of the vinyl 7-inch disc that’s pictured on Bowie’s website reminds us that this record is just one week shy of its 40th anniversary date.

SUNDAY: David Bowie Worship Band to Put on a Blasphemous Sparkly Spectacle

 

These guys have been stenciling the Mission in anticipation of their big show, and now they're ready to grace Public Works with a giant, beautifully cultish celebration of all things Bowie:

    Experience David Bowie's love this Sunday, 2/26 at Public Works featuring a special service from the Mission's own Bowie worship band The First Church of the Sacred Silversexual.  After a year in the making based out of a garage on Florida and 25th, we're ready to share with our neighborhood a musical, theatrical, sparkly spectacle of a show that tap dances the line between religion and revelry, beatitude and blasphemy, rock show, and revival.

Love david bowie

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LOVE YOU BOWIE

Honky Dorry, Ziggy Stardust, Halloween Jack and the Thin White Duke. So many different names for one skinny man. David Bowie is one of musics leading men. His different style led to influence great artist of our time for example Lady Gaga. David Bowie's shock factor wasn't the only thing that made people interested it was his mixed up lyrics and beautiful sound that also got him noticed.

His razor blade cheekbones and his different eyes are just so beautiful <3

Halloween Jack!


the sexxxy THIN WHITE DUKE all coked up lol
David Bowie and his good friend Iggy Pop

 

Tilda Swinton and David Bowie’s Love Child

 

Tilda Swinton and David Bowie’s Love Child Your site has kept me completely entertained at work for at least the last two hours! Thank you for loving David Bowie as much as the rest of us :)
La Roux is what would happen if Mr. Bowie and Ms. Swinton reproduced.

David Bowie's shock factor wasn't the only thing that made people interested it was his mixed up lyrics and beautiful sound that also got him noticed

 

Honky Dorry, Ziggy Stardust, Halloween Jack and the Thin White Duke. So many different names for one skinny man. David Bowie is one of musics leading men. His different style led to influence great artist of our time for example Lady Gaga. David Bowie's shock factor wasn't the only thing that made people interested it was his mixed up lyrics and beautiful sound that also got him noticed.

His razor blade cheekbones and his different eyes are just so beautiful <3

Halloween Jack!


the sexxxy THIN WHITE DUKE all coked up lol
David Bowie and his good friend Iggy Pop

DAVID BOWIE “JOHN, I’M ONLY DANCING (AGAIN)” 12” (1979)

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3rd Aug 2011

DAVID BOWIE “JOHN, I’M ONLY DANCING (AGAIN)” 12” (1979) Photography/Design unknown. I’m posting this sleeve because I love David Bowie but also because I love this shot of him, seemingly candid but totally posed. He was the perfect pop star.

David Bowi

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David Bowie - VH1 Storytellers

One can’t imagine many stars of his stature spinning self-deprecating anecdotes, but the VH1 Storytellers song-and-chat format was made for David Bowie’s uniquely thespian charm. Here he recalls seeking a toilet, dressed in full Ziggy regalia, and protesting to the promoter, “My dear man, I can’t piss in the sink.” The promoter grumbled, “Son, if it’s good enough for Shirley Bassey, it’s good enough for you.”
He also mentions drunkenly shaving his eyebrows off when Mott The Hoople rejected “Drive In Saturday” (“that taught them a lesson”). He also reveals his vote for “the worst two lines I’ve ever written.” Yet when the music kicks in he’s suddenly the airborne trouper again, offering brilliant versions of “Life On Mars?”, “China Girl” and “my cry for help” “Word On A Wing”. The accompanying DVD adds a teased-out “Always Crashing In The Same Car”.

Book Review/Rock Reads: 'Bowie in Berlin: A New Career in a New Town'

Bowie in Berlin: A New Career in a New Town (By Thomas Jerome Seabrook)
Review by Anthony Kuzminski
Rating: 4-Stars ****

All too often the music world is full of stories involving absurdly gifted musicians who die far too young (Janis Joplin, Jim Morrison, Jimi Hendrix, Kurt Cobain top mention a few) and we sit around and chalk it up to destiny. “They weren’t meant for this world” is the lame excuse we tell ourselves because deep down we don’t want to admit to what we missed out on in terms of revelation these artists could have provided had they lived. We often don’t ponder of what could have been because it hurts too much. Yet there’s always the cynic who jumps in and says that the “new” music these people may have created wouldn’t have held up to their best work. If you ever find yourself in this position, I’d suggest you jump in and start an argument with throwing David Bowie to the forefront. an already marvelous text. There are David Bowie throughout much of the early 1970’s hopped on an astonishing rocket ship to superstardom. Every few years he was outdoing himself from the “Space Oddity” beginnings to more defining bodies of work with Ziggy Stardust and the Spiders From Mars, Aladdin Sane and Station To Station. Despite the influence and sales of the early 1970’s work, it is David Bowie’s late 70’s work that may be among the most notable and crucial of his career and possibly the most influential music of the last four decades. The recording of Low, ”Heroes” and Lodger influenced virtually every piece of music that emanated from the electronic, new wave and the alternative movements. The story behind these years is similarly mesmerizing. For the first time, one book covers this period of Bowie history in its entirety, Bowie in Berlin: A New Career in a New Town. The pictures that precede the book (most in color) are revelatory and almost worth buying the book for these alone including quite an amusing picture of Bowie and Iggy Pop in a Copenhagen train station. You can see the transformation of Bowie in these few short years and they’re an added bonus to hundreds of David Bowie books to choose from but what makes Thomas Jermone Seabrook’s one of the most captivating is that cover-to-cover it encompasses less than 5-years and still manages to wring out every conceivable detail in all of its 274-pages. People write entire biographies in that many pages and Seabrook here dug in and went deep with what would ultimately a period that encompassed fewer than 1,500-days in Bowie’s life.

Beginning in 1975 during the lead up to the film The Man Who Fell To Earth film and the Station To Station album and tour Seabrook minutely sets the stage in operatic manner covering the mindset and physical deterioration of David Bowie during this time. The themes of isolation are prominent and Bowie, who spent most of the year in a cocaine fueled crisis (most of which he doesn’t remember) hit his lowest point. Despite a critically acclaimed film and what many deemed his

David Bowie, “Heroes” photoshoot

 

David Bowie biography

DAVID BOWIE

Prog Related • United Kingdom

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From Progarchives.com, the ultimate progressive rock music website

David Bowie biography
David BOWIE is born David Robert Jones on January 8 1947.
He started making music in the late fifties (saxophone) and eventually played in a number of blues/rock bands, releasing his first single Liza Jane with The King Bees in 1964, he also changed his stage name to David BOWIE to avoid confusion with Davy Jones from THE MONKEES. BOWIE demonstrates several traits that single him out as a song-writer of interest to followers of Progressive music: narrative story-telling & characterisation, non-standard song structures, musical eclecticism and a variety of singing styles that have a wide vocal range and mixture of different tones & timbres to suit individual songs and stage personas.

Formative years. The Deram Years and Beckenham Art Labs

From 1966 until 1968 David BOWIE was under contract with Decca's Deram label. In 1967 he released his first album, a psychedelic pop album with music hall/cabaret overtones that show manager Ken Pitt's desire to form BOWIE into an 'all-round entertainer' like Tommy Steele and Anthony Newley when BOWIE's own aims were more Jacques Brel, Bertolt Brecht and Bob Dylan. The album and singles weren't much of a success, but reveal BOWIE's ability to craft simplistic sounding songs that were anything but the whimsical pop they first appear to be, rarely following pop or rock conventions many of these songs are mini-concepts or narratives with dark, subversive, dystopian and 'taboo' themes that he would develop in his later career. Marred by the uninspired addition of superfluous string arrangements the music of this early period has been captured by the Deram Anthology released in 1997 which also contains a number of previously unreleased tracks.

At the start of 1969 David was at a low point in his career. Together with some friends he decided to organise a Folk Club at the Three Tuns. It was an immediate success and soon developed into an Arts Laboratory - attracting talent from all over London and the south east. Musicians who played at the Arts Lab included Peter Frampton, Steve Harley, Dave Cousins and the Strawbs, Rick Wakeman, Tony Visconti and Mick Ronson. There was a lot more than music at the Beckenham Arts Lab. Visual artists created original works, poets gave readings, there were light shows, street theatre, dance - and Brian Moore's unforgettable puppets. Between 1969 and 1973 The Beckenham Arts Lab was a crucible for artistic talent and the launch pad for David Bowie's rise to stardom. Yet suc...David BOWIE is born David Robert Jones on January 8 1947.
He started making music in the late fifties (saxophone) and eventually played in a number of blues/rock bands, releasing his first single Liza Jane with The King Bees in 1964, he also changed his stage name to David BOWIE to avoid confusion with Davy Jones from THE MONKEES. BOWIE demonstrates several traits that single him out as a song-writer of interest to followers of Progressive music: narrative story-telling & characterisation, non-standard song structures, musical eclecticism and a variety of singing styles that have a wide vocal range and mixture of different tones & timbres to suit individual songs and stage personas.

Formative years. The Deram Years and Beckenham Art Labs

From 1966 until 1968 David BOWIE was under contract with Decca's Deram label. In 1967 he released his first album, a psychedelic pop album with music hall/cabaret overtones that show manager Ken Pitt's desire to form BOWIE into an 'all-round entertainer' like Tommy Steele and Anthony Newley when BOWIE's own aims were more Jacques Brel, Bertolt Brecht and Bob Dylan. The album and singles weren't much of a success, but reveal BOWIE's ability to craft simplistic sounding songs that were anything but the whimsical pop they first appear to be, rarely following pop or rock conventions many of these songs are mini-concepts or narratives with dark, subversive, dystopian and 'taboo' themes that he would develop in his later career. Marred by the uninspired addition of superfluous string arrangements the music of this early period has been captured by the Deram Anthology released in 1997 which also contains a number of previously unreleased tracks.

David Bowie denies granting permission for his songs to be used in 'Heroes: The Musical

 

Photo: PA

David Bowie has denied that he has given permission for his songs to be used in a new musical.

It was widely reported yesterday (November 27) that the singer had agreed to allow his songs to be used for a futuristic fantasy about his life called 'Heroes: The Musical', which was reported to be getting its world premiere next March at London's IndigO2 venue.

But, according to Bowie's official spokesman, this is incorrect and neither the singer nor his management are in negotiation for his songs to be used in a musical.

The statement reads: "Neither the David Bowie Organisation, nor its co-publishers EMI Music and Chrysalis, has issued a license for this performance at the O2. There are no negotiations pending for a long running musical featuring the music of Mr. Bowie".

David Bowie: David Bowie (Deluxe Edition)

Gnome sweet gnome ... David Bowie.
No artist's musical past has come back to haunt them quite like David Bowie's. There he was in 1973, the world's most cutting-edge pop star: half the country certain he's rock's saviour, the other half terrified, seemingly convinced he actually is some kind of gay alien sex demagogue on Earth to corrupt youth. He has achieved this via stunning records and provocations: telling the press he's homosexual, pretending to fellate his guitarist on stage, suddenly announcing his retirement. It has all been brilliantly planned and executed, which makes the reappearance of music he made years before devising Ziggy Stardust all the more agonising. Worse, the song his old label has rereleased and seen rise to No 6 in the charts is The Laughing Gnome, a 1967 novelty that has also been covered by crooner Ronnie Hilton. The Laughing

Space Oddity (1969)

Album Score: 11

After years and years of trying, he finally scored big with his outer space single 揝pace Oddity.� It didn't quite turn him into a household name, but people started to buy his records, which is certainly a step in the right direction for our dear friend David Bowie. (At the very least, he could stop doing that mime stuff, which is the only point in Bowie's unmatchably cool career that could legitimately be construed as uncool.)

The Deram Anthology (1966-1968) (1997)

Album Score: 11

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Here's a little trivia. This is the very first album that I ever reviewed. ...Well, not this album specifically, but it was the 1967 album titled David Bowie. All throughout that review I said that it was pretty dumb to own that album since you can own The Deram Anthology instead, which contains all of David Bowie plus a bunch of singles released at the time. So now, here I am finally rectifying my own hypocrisy and actually reviewing the Deram Anthology! Finally, the world can rest easy.
Truth be told, the best concentration of material on this collection is actually the stuff that appeared in David Bowie, so you're not missing out on that much. On the other hand, while you're out there collecting obscure David Bowie albums,

DAVID BOWIE Early On (1964-1966) (1991)

 

Album Score: 9

You might read the title of David Bowie's archive release Early On (1964-1966) and be absolutely shocked to learn that he goes back that far. Indeed, I've known about Bowie's history for quite some time, but I still it to be incredible that he started releasing music the same year that The Rolling Stones released their first album. Of course, the reason that so few people know that Bowie started in the mid-'60s is because he failed to have any hits. And listening to the material on this compilation, it's abundantly clear why; this stuff just ain't that great! But this stuff ain't bad, either, and if you're a big-time Bowie fan, you might just find it worthwhile to pick up this archival release.

Just like The Beatles, The Kinks and The Rolling Stones before him, David Bowie got started singing covers of '50s rock 'n' roll. This album opens up with a surprisingly engaging take on 揕iza Jane.� It's a far cry of course from capturing the same type of spirit that The Rolling Stones and The Yardbirds were able to capture, but it's perfectly nice and toe-tapping. 揕ouie, Louie Go Home� is much shakier and less likable, but he makes up for that with an interesting take on 揑 Pity the Fool,� which features these heavily layered saxophone sounds. Hardly a revolutionary concept, but it's a lot of fun! 

All The Nobody People

Check out My Fanfictions! I write a lot of David Bowie fanfictions/fanfics (most of them leans towards the smutty side XD).

I'm a co-admin of Portrait in Flesh, a blog dedicated to the many personalities of David Bowie and the kinks/fantasies/sexual frustration he invokes.

Currently writing for Forbidden Words, A Bowie fiction blog!

I'll be whatever you want me to be. Ask me any question and then name a character from a fandom. I would then answer that question like I am the character. Do that over at thesomebodyppl!
 

David Bowie might be next

Mmm...forearm.

Are you seeing how good he looks in suits? 80s fashion was kind to David Bowie in a way that is inconceivable. Anyway, I think I've warmed up to David Bowie enough that to start becoming a true fan. Recently, I can't stop listening to this song: